Artwork

Made to be looked at slowly

My personal art practice, alongside the commercial work. Surreal still lifes, chrome portraits, impossible objects and a typographic print: 14 works across 6 series, each beginning with a feeling rather than a brief.

Sonder · Typographic print

A typographic print about sonder: the realisation that each passerby has a life as vivid and complex as your own. A soft, grainy field of violet, rose and pale gold drifts above the definition, like a crowd half-seen through glass.

Impossible Objects · Digital sculpture

Six studies of form, material and atmosphere. Organic structures, suspended landscapes and luminous surfaces share one fascination: objects that feel close enough to touch, yet belong to a world that couldn't exist.

Snake Eyes · Surreal still life

A memento mori for the digital age: a skull, coiled snakes and pink blossoms. The familiar becomes unfamiliar through unexpected scale, reflective crystals and small organic details.

Virtually Reality · Digital portrait

A chrome figure wearing a virtual reality headset, framed by vivid diagonal bands. A portrait about presence: a human gesture held inside a polished, synthetic world.

After Banksy · Homage

Two homages to Banksy. The original images step off the wall into dimensional scenes, with sculptural figures, expressive light and a new sense of place.

Personal studies after Banksy. Original concepts and imagery by Banksy; dimensional interpretations by Byron Whitelaw.

Other Worlds · Digital editions

Three works released and sold as digital editions, each centred on a lone figure in an imagined place. Tropical neon, a future city and a luminous portal offer three different visions of escape.